Maxwell Caulfield
Birthday: 23 November 1959, London, England, UK
Height: 183 cm
Maxwell Caulfield began his film career in a big way. He was chosen from among thousands of applicants to appear as Michael Carrington in the sequel to the most successful musical film of all time. Both he and his co-star, a fresh-faced young newcomer named Michelle Pfeiffer, were hailed as "The Next Overnight Sensations" and Grease 2 (19...
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Maxwell Caulfield began his film career in a big way. He was chosen from among thousands of applicants to appear as Michael Carrington in the sequel to the most successful musical film of all time. Both he and his co-star, a fresh-faced young newcomer named Michelle Pfeiffer, were hailed as "The Next Overnight Sensations" and Grease 2 (1982) was going to make him a star. However, the film was a critical and commercial disaster, and his career was seriously affected. Despite a first-rate performance in the gritty and disturbing The Boys Next Door (1985) and a convincing turn in the award-winning TV movie The Parade (1984), Caulfield's only widely seen role in the 1980s was his inspired portrayal of bad boy Miles Colby in the soaps Dynasty (1981) and The Colbys (1985). Since then he has appeared in a number of uninspired B-movies and direct-to-video schlock. However, it was his stage work that allowed him to demonstrate his range as an actor. He won rave reviews for his roles on Broadway in such productions as "Entertaining Mr. Sloane" and "An Inspector Calls". He also headlined the off-Broadway smash "My Night With Reg". Those performances, along with his widely cherished turn as sleazy pop star Rex Manning in the film Empire Records (1995), led to his winning the prize role of Bob in Tom DiCillo's The Real Blonde (1997) opposite such luminaries as Matthew Modine, Kathleen Turner, Steve Buscemi, Daryl Hannah and Elizabeth Berkley. He is married to Juliet Mills (18 years his senior), whom he met while starring in "The Elephant Man" on Broadway in 1980. Show less «
There isn't a single business where anybody feels secure.
There isn't a single business where anybody feels secure.
You can work and scratch out a living in the theatre, but, if you want to make money, you've got to ...Show more »
You can work and scratch out a living in the theatre, but, if you want to make money, you've got to hit the road. You've got to play big houses of 2, 3 thousand seaters with your name above the bill, do popular fare and reach out to the audience such as it is. Show less «
Not disown my past or upbringing, but I'd admired American actors, really American movie star - part...Show more »
Not disown my past or upbringing, but I'd admired American actors, really American movie star - particularly the rebel heroes of the '50s. Show less «
I didn't want to be a hero to kids; I didn't think I had that. I just wanted to be popular.
I didn't want to be a hero to kids; I didn't think I had that. I just wanted to be popular.
I'm always playing these mendacious characters who end up hoisting themselves by their own petard.
I'm always playing these mendacious characters who end up hoisting themselves by their own petard.
Before Grease 2, I was called the next Richard Gere, then after Grease 2, nobody would touch me.
Before Grease 2, I was called the next Richard Gere, then after Grease 2, nobody would touch me.
I am beyond thrilled to be hitting the road with 'Singin' in the Rain.' As a huge fan of the origina...Show more »
I am beyond thrilled to be hitting the road with 'Singin' in the Rain.' As a huge fan of the original movie, the chance to bring this story to life on stage is something I couldn't pass up, and it'll be great visiting some of the beautiful theatres on the tour; some I've been to previously; some are going to be a brand new experience for me. Show less «
I did sing in another film called 'Empire Records' which is a cult film. 'Grease 2' is also a cult f...Show more »
I did sing in another film called 'Empire Records' which is a cult film. 'Grease 2' is also a cult film. You either love it or just think the original was better. Show less «
Maxwell Caulfield's FILMOGRAPHY
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Annabelle: Creation
IMDb: 7
2017
109 min
Country: United States
Genre: Thriller, Horror, Mystery
Twelve years after the tragic death of their little girl, a dollmaker and his wife welcome a nun and several girls from a shuttered orphanage into ...